Events - Season 2024-25
A large audience braved a very chilly January evening to hear speaker Terry O’Donoghue’s talk on ‘The English Civil War in Bury St. Edmunds and Suffolk’. A complex subject, emanating from Charles I’s adherence to the Divine Right of Kings; his idea of government was diametrically opposed to that of both Parliament and army. Charles
was often in Newmarket being very keen on horse racing and it was here that Parliament asked him to sign a militia bill. His refusal to do so, plus his obstinacy on other matters, meant that the ‘die was cast’ and unrest, rebellion and finally war was inevitable. Suffolk in the 1640s boasted a prosperous, advanced economy; a thriving merchant class which, like the majority of the East, supported the Parliamentarians. In the larger towns such as Bury there were some rich families still loyal to the king, however the area saw little real action – the famous battles being elsewhere. In 1645 General Fairfax and the politically astute Puritan, Oliver Cromwell, set up the New Model Army, a strict and disciplined force which subdued any local aggression and skirmishes around Bury and Newmarket. Fairfax, a man of military action, went on to control the 1648 eleven week siege of Colchester, whilst the Earl of Manchester, another strict Puritan, proceeded to purge the ‘papist’ clergymen. Charles and the Royalists were defeated by 1646. The King became a fugitive in disguise before being taken back to London to face his January 1649 execution. Parliamentarian Puritanism did not sit kindly with the English who were to endure the banning of Christmas, maypole dancing and all kinds of fun, as well as the destruction of much beautiful religious idolatry and stained glass in Suffolk churches by the ‘butcher’ William Dowsing, whilst the hunt for witches by Matthew Hopkins went on unabated! It was not until the 1660 Restoration of King Charles II that some semblance of normality was reinstated.
Another excellent turnout of 53 members and visitors who were held really spellbound by Bryan Thurlow’s dramatized presentation of the sensational, yet tragic, story of the poor village maiden, Maria Marten, and the Red Barn. We were taken to 1820’s Polstead to meet Thomas Marten, the molecatcher and father to pretty Maria, at that time working at the rectory as a child minder. She soon attracted the attentions of the wealthy Corder boys from the big hall. The eldest, Thomas gave her a child, another babe arrived from one, Peter Matthews, and it was not long before she was pregnant by the youngest,
Wiliam Corder. All records show that the young squire William was a thoroughly ‘bad egg’ – a liar, a cheat, a deceiver and a habitual thief (pigs being a speciality!), to name but a few of his endearing qualities. The baby died shortly after birth and William, perceiving the situation as socially unacceptable, saw fit to dispose of the body whilst, to appease Maria, offering to marry her on the day following an evening rendezvous in the Red Barn, one of their romantic venues. The rest is history. Maria was never seen again; William, now in London, explained her disappearance with a fistful of lies. Eleven months later, after her step-mother’s prophetic dream, her bullet riddled body was discovered buried in the Red Barn. William was arrested and duly hung at Bury St. Edmunds jail in front of an enormous cheering crowd enjoying a glorious day’s experience! Ghoulish pursuits and a host of money making schemes to view the dissected corpse and skeleton followed, whilst in later years the story was to become the stuff of legend via books, plays and
numerous productions of horrific melodrama.
From - https://www.suffolkvillagesigns.co.uk/glemsford
The current Glemsford sign was made by Graham Chaplin from Buxhall of painted galvanized steel in 2009 replacing the original sign at the same location. There are three buildings on the sign starting with the church of St Mary on top of the sign, this is connected by a winding road down to the old boarding school which is now the Glemsford Primary Academy. The road to the left leads to the 16th century Monks Hall. Below the school is a horse and cart representing agriculture in the area. In the centre of the sign is a group of Morris dancers, known as the Morris Dancers of Little Egypt set up in 1992. There is also a wig at the top of the post representing Arnold and Gould wig makers which were set up to process horsehair in 1907. On the other side is a guardsman helmet. A teachers mortar board and quill pen are there to represent the old college from the Middle Ages. The gap in the middle is the river Glem. The flowers at the bottom of the sign look like Wood Anemones.
April speaker, Ashley Cooper, kept a very large audience thoroughly engaged with his entertaining talk on ‘Heroes and Villains of our Locality. Part 2’. This was further enhanced by the lively and amusing paintings of Benjamin Perkins. Following a detailed resume of Part 1 starting with the great Roman chieftain, Caractacus and the warrior queen Boudicca, down through the centuries to the martyred King Edmund, the (probably less than sainted) Archbishop Simon of Sudbury, on to the Witchfinder General, Matthew Hopkins, one of the most cruel villains of all, we arrived in the days of Oliver Cromwell when a Puritanical obsession reigned. This led to one, William Dowsing and his band of thugs, who systematically ravaged and defaced our churches. Medieval stained glass windows were smashed and every semblance of decorative effigies and carvings were destroyed. Moving on, John Winthrop from Edwardstone migrated to the nascent United States with other Pilgrim Fathers to help found Massachusetts. The 17 th and 18 th centuries saw discovery and identification of flora and fauna led by John Ray whose meticulous drawings of orchids are still revered. Botanists Joseph Andrews and Sudbury born Mark Catesby followed, the latter exploring in Florida, Carolina and the Bahamas. The 19 th century saw a pair of local tight-fisted misers; one, William Jennens from Acton, whose huge wealthy estate took so long to sort that only the lawyers were the beneficiaries, was said to have been the inspiration for Dickens in his darkest novel, ‘Bleak House’. Subsequently, Hardy was inspired to write ‘The Mayor of Casterbridge’ upon hearing of a local man who had sold his wife! Murderer, William order,from Polstead, he of the Red Barn fame, was another villain, whilst on the plus side, Thomas Clarkson from Wisbech was instrumental in abolishing the slave trade. Ashley concluded his talk by nominating his own 20 th century heroes, namely Fred Pawsey and Sue Ryder (Cavendish residents) and those WWII soldiers sent to Singapore only to be captured and imprisoned in the infamous Japanese camps.
The relatively recent excavations at Clare Castle proved a most interesting subject for the last talk of the present season. During 2018 – 2021 speaker, Jo Caruth, worked with Suffolk Archaeology and a large number of local volunteers digging trenches in both the outer and inner baileys of the well-known Clare motte and bailey castle which was built just after the Norman Conquest. Jo itemised the finds from the earlier digs of 1951 and 2013, plus the railway construction dig of 1865 when the gold reliquary cross, the most
notable find of all, was discovered. This was possibly dropped by castle visitor and later owner, Cecily Neville, mother of Kings Edward IV and Richard III, in the 15 th century. Probably the most famous resident was Elizabeth de Burgh (b.1295 – 1360) who inherited the castle and spent a great deal of money on it. Evidence from the dig, assisted by the geophysicists, showed thriving occupation, many clay ovens, a large building, kitchens, possible stables, kennels and chapels, also signs that further ramparts once existed. A good number of human remains, male, female and children, were unearthed, some from the Anglo Saxon period which supported the theory of a probable cemetery for the Saxon town. Piles of animal bones confirmed the meat-based diet of the Medieval period. More esoteric finds included beautifully decorated floor tiles, colourful pieces of stained glass, parts of an unusual comb, a 7/8 th century brooch, a very rare Saxon coin and, most strange of all, the claw of a bear; he/she must have been imported for entertainment purposes!